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Orchestral Manoeuvres in the Dark or even OMD were the synth pop group from a Wirral, UK, who recorded for Virgin Records (originally for Virgin's DinDisc subsidiary).

A class action was founded by Andy McCluskey and Paul Humphreys, and it formed a core of a outfit until 1989, while the class action split. McCluskey so retained the title & continued to record & tour when OMD by having a just released line-higher.

Early history
When stripling, Humphreys & McCluskey were taking part around many unsigned Wirral bands, including Equinox, Pegasus, and a short-fugacious Hitlerz Underpantz. McCluskey would commonly sing & play bass guitar, whilst electronics enthusiast Humphreys initially began as a roadie, graduating to keyboards. the pair shared a love of electronic music, particularly Brian Eno and Kraftwerk.

By 1977, McCluskey & Humphreys put together 7-piece (3 singers, 2 guitars, bass, drums, and keyboards!) Wirral 'supergroup' The Id, whose line-up included drummer Malcolm Holmes and McCluskey's girlfriend Julia Kneale on vocals. A class action began to gig regularly in the Merseyside area, performing original material (largely written by McCluskey & Humphreys). It experienced quite charted on the scene, & one of their tracks (''Julia's Song) was involved in the compilation record of local elastic known as Street to Street. Meanwhile Humphreys & McCluskey collaborated on a side-project called VCL XI'' (named after a valve from the diagram on the cover of Kraftwerk's Radio-Activity album), where they pursued their more bizarre electronic experiments, often working with tape collages, home-made kit-built synthesiers, and circuit-bent radios.

Within 1978, A Id split due to the traditional musical differences. McCluskey briefly sang using electronic Wirral quartet Dalek I Love You. Nonetheless, he finally rejoined Humphreys, & their VCL XI plan was rechristened Orchestral Manoeuvres in the Dark. It began to gig regularly as the duo, performing to backing tracks played from either a Revox tape-recorder it christened "Winston" (when a antihero of George Orwell's novel Nineteen Eighty-four). Choosing themselves on the cusp of an electronic up to date wave within British pop-music, it freed the a lone-off single, "Electricity", using celebrated independent label Factory Records (the individual sleeve was designed by Peter Saville, whose distinctive graphics provided OMD's public image well into a mid-80s), & were so quickly snapped higher by Virgin subsiduary DinDisc.

Classic Line-up

A eponymic number 1 album (1980) showcased a band's survive placed at a period, & was au fond recorded per Humphreys/McCluskey duo, although involved occasionally guest drums from either either Id drummer Mal Holmes, & sax from Wirral musician Martin Cooper. It got the elementary, altogether, poppy, melodic synthpop healthy. DinDisc intended for the song Messages to become re-recorded (by Gong bassist Mike Howlett) and freed as a only (perfect) - this gave a band their foremost hit. a tour followed, Winston the tape machine existence ditched permanently, & replaced by using survive drums from either Mal Holmes, & Dalek I Love You's Dave Hughes on synths.

A 2nd album Organisation followed late that month, recorded as a Deuce-ace piece by having Humphreys, McCluskey & Holmes. It was over again by Howlett, & saw the like moodier, dark sense. A album spawned a immense hit individual Enola Gay, known as fallowing the plane which dropped an atom bomb on Hiroshima. the tour for this album saw a Four-piece band line-higher, using saxist Martin Cooper (a second Dalek I Love You alum) recruited for keyboard duties. Howlett so presided across the recording of a farther hit only, Souvenir, co-written by Cooper & Humphreys. It inaugurate the striking lush choral electronic healthy.

1981 would view a release of what several assume OMD's magnum opus (& it was too a peak of their commercial profits in a UK & Europe) - the Architecture & Morality album. A Four-piece went into a studio sustaining Richard Mainwaring producing, Cooper so temporarily dropping out & existence replaced by Mike Douglas, however this changed existence reversed per instance the album was freed & a tour embarked upon. A album's striking healthy saw OMD's original synth-pop healthy augmented per mellotron, an instrument previously associated by owning prog rock group. It utilized it to add super atmospherical swatches of string, choir & more sounds to their palette. Hit singles Joan of Arc & Maid of Orleans (which became a virtually all successful only of 1982 inside Germany) were taken from either a album.

1983 saw a band lose commercial macd somewhat, by owning a release of their 'hard' Dazzle Ships albums, which mixed melancholy synth ballads & uptempo synth popular using musique concrete & short wave radio tape collages. It was recorded per Four-piece Humpreys/Holmes/Cooper/Mcluskey line-higher, & by Rhett Davies.

1984's Junk Culture saw a link to to a further poppy healthy & saw the band utilizing digital sampling keyboards like the Fairlight CMI and the Emu Emulator.

2 laserdiscs, Live at a Theatre Royal Drury Lane (1982) and Crush a Picture (1985) were released lone within Japan.

By using a recording of Crush, (1985) Graham & Neil Weir began swimming by owning a class actiin (on guitar & brass), by Stephen Hague. This Sestet piece line besides freed A Pacific Age (1986). By currently a b& were seeing their critical and public popularity wane in a UK, when it struggled to break into the America market.

One of OMD's large hits, "If You Leave," (1985) was written specifically for the John Hughes movie Pretty in Pink.

Classic line-up split

Though Humphreys left a band fallowing A Right of OMD, he collaborated by having McCluskey on the songwriting for Universal, a band's 1996 swan song. McCluskey would prove my point for a second decade, joined by Liverpool musicians Lloyd Massett & Stuart Kershaw.

An album of unfreed poop per band is scheduled to become released within 2005.

There were deuce official magazines about a band, Telegraphy, &, presently, Messages.

A book Messages, written by Johnny Waller & Paul Humphreys' brother Mike Humphreys, details a career of a band as much as the instance of The Right of OMD.

Discography

Studio Albums

Orchestral Manoeuvres in the Dark - 1980 (UK #27) Organisation - 1980 (UK #6) O.M.D. - 1981 Architecture & Morality - 1981 (UK #3, US #144) Dazzle Ships - 1983 (UK #5, US #162) Junk Culture - 1984 (first copies come sustaining enclosed of these-slanted Seven-inch only, "The Angels Keep Turning (The Wheels of the Universe)") (UK #9, America #182) Crush - 1985 (UK #13, America #38) The Pacific Age - 1986 (UK #15, US #47) Sugar Tax - 1991 (UK #3) Liberator - 1993 (UK #14, US #169) Universal - 1996 (UK #24)

Compilation albums
The Better of OMD - 1988 (UK #2, US #46) The OMD Singles - 1998 (UK #16) The Peel Sessions -2000 (compilation of tracks recorded for the John Peel show on BBC Radio 1) Navigation - A OMD B-Sides - 2001

Video releases
Survive at a Theatre Royal Drury Lane - 1982 (laserdisc & VHS) Crush a Movie - 1985 (laserdisc & VHS) A Right of OMD - 1988 (VHS)

Singles

! breadth="28" rowspan="2"| Year ! breadth="257" rowspan="2"| Title ! colspan="3"| Chart Positions ! breadth="257" rowspan="2"| Album |-

! breadth="86"| UK Singles Chart ! breadth="86"| US Hot 100 ! breadth="86"| US Modern Rock |- | 1979 | "Electricity" ! #99 ! - ! - | Orchestral Manoeuvres in the Dark |- | 1980 | "Red Frame/White Light" ! #67 ! - ! - | Orchestral Manoeuvres in the Dark |- | 1980 | "Messages" ! #13 ! - ! - | Orchestral Manoeuvres in the Dark |- | 1980 | "Enola Gay" ! #8 ! - ! - | Organisation |- | 1981 | "Souvenir" ! #3 ! - ! - | Architecture & Morality |- | 1981 | "Joan of Arc" ! #5 ! - ! - | Architecture & Morality |- | 1982 | "Maid of Orleans" ! #4 ! - ! - | Architecture & Morality |- | 1983 | "Genetic Engineering" ! #20 ! - ! - | Dazzle Ships |- | 1983 | "Telegraph" ! #42 ! - ! - | Dazzle Ships |- | 1984 | "Locomotion" ! #5 ! - ! - | Junk Culture |- | 1984 | "Talking Loud and Clear" ! #11 ! - ! - | Junk Culture |- | 1984 | "Tesla Girls" ! #21 ! - ! - | Junk Culture |- | 1984 | "Never Turn Away" ! #70 ! - ! - | Junk Culture |- | 1985 | "So in Love" ! #27 ! #26 ! - | Crush |- | 1985 | "Secret" ! #34 ! #63 ! - | Crush |- | 1985 | "La Femme Accident" ! #42 ! - ! - | Crush |- | 1986 | "If You Leave" ! #48 ! #4 ! - | Jolly within Pink [Soundtrack] |- | 1986 | "(Forever) Live and Die" ! #11 ! #19 ! - | A Pacific Age |- | 1986 | "We Love You" ! #54 ! - ! - | A Pacific Age |- | 1987 | "Shame" ! #52 ! - ! - | A Pacific Age |- | 1988 | "Dreaming" ! #50 ! #16 ! - | A Right of OMD |- | 1991 | "Sailing on the Seven Seas" ! #3 ! - ! - | Sugar Tax |- | 1991 | "Pandora's Box (It's a Long, Long Way)" ! #7 ! - ! #19 | Sugar Tax |- | 1991 | "Then You Turn Away" ! #50 ! - ! - | Sugar Tax |- | 1991 | "Call My Name" ! #50 ! - ! - | Sugar Tax |- | 1993 | "Stand Above Me" ! #21 ! - ! - | Liberator |- | 1993 | "Dream of Me (Based on Love's Theme)" ! #24 ! - ! - | Liberator |- | 1993 | "Everyday" ! #59 ! - ! - | Liberator |- | 1996 | "Walking on the Milky Way" ! #17 ! - ! - | Universal |- | 1996 | "Universal" ! #55 ! - ! - | Universal |}

Orchestral Manoeuvres in the Dark
Official website of the Liverpool band OMD.

Orchestral Manoeuvres in the Dark - Discography
An illustrated listing of releases by OMD.

M.I.S.: OMD
Discography, compilation appearances, song/version listings, and timeline.

Musicfolio: OMD
Discography, album reviews and recommendations.

Pat's OMD Page
News, interviews, fan made cover songs, photos, lyrics, message board, and links.

Motion And Heart
News, lyrics, interviews, games, screensavers, mailing list, forum and links.

Compiled
Discography and archive for OMD.


Arts: Music: Styles: By Decade: 1980s
Arts: Music: Styles: P: Pop: Synthpop
Regional: Europe: United Kingdom: England: Arts and Entertainment: Music
Regional: Europe: United Kingdom: England: Merseyside: Liverpool: Arts and Entertainment: Music





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